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You Say You Want a Revolution: 1960s Art, Design and Culture with Steven Heller
Tuesday, July 23,
4:30 p.m. Lemonade on the Terrace;
5:00 p.m. Talk/Performance in the Main Gallery.

Join award-winning author and designer Steven Heller for an in-depth look at the visual culture of the 60s, when a youth movement seeking to create an egalitarian society free from discrimination emerged in full force. As expressed in the illustration and design of the moment, Americans addressed many controversial issues—from civil rights, the Vietnam War, nuclear proliferation, and the environment to drug use, sexual freedom, and nonconformity.

Steven Heller wears many hats; for 33 years he was an art director at the New York Times, originally on the OpEd Page and for almost 30 of those years with the New York Times Book Review. Currently, he is co-chair of the MFA Designer as Author Department, Special Consultant to the President of SVA for New Programs, and writes the Visuals column for the New York Times Book Review.

He is the co-founder and co-chair (with Lita Talarico) of the MFA Designer as Author program at the School of Visual Arts, New York, where he lectures on the history of graphic design. Prior to this, he lectured for 14 years on the history of illustration in the MFA Illustration as Visual Essay program at the School of Visual arts. He also was director for ten years of SVA’s Modernism & Eclecticism: A History of American Graphic Design symposiums.

With Seymour Chwast he has directed Push Pin Editions, a packager of visual books, and with his wife Louise Fili he has produced over twenty books and design products for Chronicle Books and other publishers.

For over two decades he has been contributing editor to PRINTEYEBASELINE, and I.D. magazines, has had contributed hundreds of articles, critical essays, and columns (including his interview column “Dialogue” in PRINT) to a score of other design and culture journals.

As editor of the AIGA JOURNAL OF GRAPHIC DESIGN he published scores of critical and journalistic writers on design, and currently as editor of AIGA VOICE: Online Journal of Design, he continues to help build a critical vocabulary for the field.

The author, co-author, and/or editor of over 100 books on design and popular culture, Heller has worked with a score of publishers, including Chronicle Books, Allworth Press, Harry N. Abrams, Phaidon Press, Taschen Press, Abbeville Press, Thames & Hudson, Rockport, Northlight, and more. He is currently completing “Iron Fists: Branding the Totalitarian State” for Phaidon Press, an anaylsis of how the major dictatorships used graphics to propagate their ideologies.

He has produced or been curator of a number of exhibitions, including “Art Against War,” “The Satiric Image: Painters as Cartoonists and Caricaturists,” “The Malik Verlag,” and “The Art of Simplicissumus: Germany’s Most Influential Satire Magazine,” among them. He has organized various conferences, including The School of Visual Arts’ “How We Learn What We Learn,” devoted to the future of design education, and the AIGA’s “Looking Closer: Graphic Design History and Criticism.”

Heller is also the recipient of the AIGA Medal for Lifetime Achievement in 1999, the Art Directors Club Hall of Fame Special Educators Award in 1996, The Pratt Institute Herschel Levitt Award in 2000, and the Society of Illustrators Richard Gangel Award for Art Direction in 2006.

 

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Art, Love, and Identity: A 50th Anniversary Summer Lecture/Performance Series
Tuesdays, July 9 – August 20
4:30 p.m. Lemonade on the Terrace; 5:00 p.m. Talk/Performance in the Main Gallery.

Join us for an uplifting program series, which explores creativity, productivity, and identity inspired by the three 50th Anniversary exhibitions. Explore the autobiographical elements in Rockwell’s art; learn about the mutually supportive connection between Rockwell and renowned psychotherapist Erik Erikson, and reflect on the defining images from 1969, which both shaped and reflected a period of profound cultural transformation. This series examines, from multiple perspectives, the ways in which art, human relationships, and culture are fundamental to growth, resilience, and creating meaning. $25, $15 members, or apply program pass. Preregister online or via email register@nrm.org

Land Acknowledgement

It is with gratitude and humility that we acknowledge that we are learning, speaking and gathering on the ancestral homelands of the Mohican people, who are the indigenous peoples of this land on which the Norman Rockwell Museum was built. Despite tremendous hardship in being forced from here, today their community resides in Wisconsin and is known as the Stockbridge-Munsee Community. We pay honor and respect to their ancestors past and present as we commit to building a more inclusive and equitable space for all.

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