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Santa in Illustration

December 21, 2020 – Written By: Venus van Ness

The evolution of Santa Claus

Back in the 1800’s, the image of Santa Claus was not portrayed as the round, jolly, bearded man that we know today. Throughout the latter half of the 19th century, Santa morphed through a variety of different looks.  He was initially depicted as a thin elf-like man dressed in green, who was focused on protecting children and sailors. At other times, he appeared skinny and gaunt, with a scraggly beard and, while he may have worn a red coat, he sometimes wore a different colored hat, trimmed in black. 

Of course, Norman Rockwell played a large role in establishing Santa’s look. The cover of the December 1913 issue of Boys Life, titled “Santa in Snow with Scouts,” was painted by Rockwell at the age of 19 when he served as Art Director of the magazine. While Rockwell is well-known for depicting Santa Claus countless times throughout his career, this was his very first Santa Claus cover. In it, Santa has an accident, but is rescued by two Boy Scouts who happen to be on the scene.

“Merry Christmas and Happy New Year” Harper’s Weekly, January 2, 1869

“Merry Christmas and Happy New Year”
Harper’s Weekly, January 2, 1869
Norman Rockwell Museum Collections
RC.2014.4.7

Norman Rockwell (1894-1978) Santa in Snow with Scouts Boys’ Life cover, December 1913

Norman Rockwell (1894-1978)
Santa in Snow with Scouts
Boys’ Life cover, December 1913
Norman Rockwell Museum Collections
RC.2011.13

By the 1920s, a more standard Santa began to emerge, portrayed by many popular artists of the period, such as N.C. Wyeth, J. C. Leyendecker, and Rose O’Neill. During this time, Santa Claus also began to make more frequent appearances in illustrated advertisements, becoming a salesman for countless products including soap, chocolates, coffee, socks, and even cigarettes. 

Joseph Bolegard (1889-1963) “The Season of Good Cheer” Ad illustration for Wilson’s Ham

Joseph Bolegard (1889-1963)
“The Season of Good Cheer”
Ad illustration for Wilson’s Ham
The Youth’s Companion, December 11, 1919
Norman Rockwell Museum Collections, gift of William Hargreaves
RC.2016.4

Rose O’Neill (1874-1944) Santa and Cupies Ladies’ Home Journal cover, December 1927

Rose O’Neill (1874-1944)
Santa and Kewpies
Ladies’ Home Journal cover, December 1927
Norman Rockwell Museum Collections, gift of Robert O’Neill
RC.2019.17

J.C. Leyendecker (1874-1951) “Interwoven Socks for Christmas” Ad illustration for Interwoven Socks

J.C. Leyendecker (1874-1951)
“Interwoven Socks for Christmas”
Ad illustration for Interwoven Socks
Saturday Evening Post, December 8, 1928
Norman Rockwell Museum Collections, gift of William Hargreaves
RC.2016.4

One of the most well-known Santa product endorsements arose in 1931 when Coca-Cola recruited illustrator Haddon Sundblom to paint a version of Santa for their winter advertisements. Sunblom took his inspiration from Clement Clark Moore’s poem “A Visit from St. Nicholas” (better known as “’Twas the Night before Christmas”), and decided to make Santa as genial as possible, wearing a festive red and white suit, smiling happily, with rosy cheeks. As luck would have it, Sundblom had a neighbor, a retired salesman named Lou Prentiss, who looked just the part, and became the model for the first painting. Sundblom continued his Coca-Cola Santa ads for the next thirty-five years which further popularized this version of Santa as the image that we most associate with Christmas today.

Haddon Sundblom (1899-1976) “The Pause that Refreshes” Ad illustration for Coca-Cola

Haddon Sundblom (1899-1976)
“The Pause that Refreshes”
Ad illustration for Coca-Cola, 1956
Norman Rockwell Museum Collections, gift of William Hargreaves
RC.2016.4

To find out more about Norman Rockwell, Rose O’Neill, J.C. Leyendecker, and Haddon Sundblom, visit his profile on the Museum’s Illustration History website (Illustrationhistory.org).

About the Blog Author

Venus Van NessArchivist
Venus Van Ness is the Archivist at the Norman Rockwell Museum and oversees the physical and digital archival collections as well as the museum’s research library. Over the last several years, her work has focused on making collections more broadly accessible through numerous digitization and processing projects.