Collections Hunters:
Uncovering the Museum’s Art and Archival Collections

Drawing as a way of seeing

July 7, 2020 – Written By: Magdalen Livesey

If you want to observe an artist at work, a good place to start is with his or her sketchbooks.  Here are ideas, techniques, observations, memories – all the underpinnings of the finished work.  Often the contents are so free and spontaneous that they draw us in, wanting and needing nothing more than these simple lines on paper.

And yet what can look simple to the observer is actually the product of hours of study and practice.  The goal, for the accomplished artist, is to free the hand from concern with technique, the better to focus on communicating ideas and emotions.

All the founding artists of Famous Artists School emphasized these principles in their advice to students.  Robert Fawcett said it best: “Draw constantly, freely, searchingly, courageously, experimentally, lovingly.”  His own sketchbooks are filled with examples that show him searching out the small details that reveal character and recreating them in line.

Robert Fawcett: Robert Fawcett’s Doodles, n.d.

Robert Fawcett (1903-1967)
Robert Fawcett’s Doodles, n.d.
Ink and ink wash on paper, 8 ¼ x 15 in.
Norman Rockwe1l Museum Collection, Robert E. Livesey/Famous Artists School Collection, NRM.2014.02.1784

Fawcett also said, “The more you draw, the more you will see.”  Perhaps an artist’s greatest gift is observation.  How often has a painting shown us a familiar object or scene in a completely new way?  Looking carefully, taking in details, then drawing, over and over – this is how an artist’s eye develops.

Of course, artists draw to capture scenes, characters, atmosphere – as part of their research or just to spark the creative juices.  Norman Rockwell described starting with a drawing of a random object and creating a story around it.  Austin Briggs sketched a restaurant interior for use in a future illustration.  And Fred Ludekens would make multiple thumbnail sketches as he worked out how best to tell a story.

Norman Rockwell: Gard du Nord, 1932

Norman Rockwell (1894-1978)
Gard du Nord, 1932
Paris sketchbook
Pencil and watercolor on paper, 15 x 11 in.
Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust, NRACT.1976.107

Austin Briggs: Lafayette Restaurant, Hotel Brevoort, New York City, c. 1947

Austin Briggs (1909-1973)
Lafayette Restaurant, Hotel Brevoort, New York City, c. 1947
Reference illustration for “A Crime of Passion” by Georges Simenon, Cosmopolitan, March 1947
Marker on paper, 16 5/8 x 21 ¾ in.
Norman Rockwe1l Museum Collection, Robert E. Livesey/Famous Artists School Collection, NRM.2014.02.1335

Fred Ludekens: Renegade Canyon, 1949

Fred Ludekens (1900-1982)
Renegade Canyon, 1949
Concept sketches for “Renegade Canyon” by Peter Dawson, The Saturday Evening Post, 1949
Pencil and colored pencil on paper, 20 ½ x 25 ¾ in.
Norman Rockwe1l Museum Collection, Robert E. Livesey/Famous Artists School Collection, NRM.2014.02.1894

Of course, sometimes artists draw just for the fun of it.  Norman Rockwell made these drawings while traveling around the world on assignment for Pan American Airlines.  With typical Rockwell humor, they capture character and setting, with Rockwell and his wife in the picture, enjoying the experience.

Norman Rockwell: Karachi, Pakistan, 1955

Norman Rockwell (1984-1978)
Karachi, Pakistan, 1955
Charcoal on paper
Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust, NRACT.1973.112

To find out more about Norman Rockwell, Robert Fawcett, Austin Briggs, Fred Ludekens, visit his profile on the Museum’s Illusation History website (IllustrationHistory.org).

Austin Briggs: Illustration for “A Crime of Passion” by Georges Simenon

Austin Briggs
Illustration for “A Crime of Passion” by Georges Simenon
Cosmopolitan Magazine, March 1947
Gift of Ronni Tinkelman

Fred Ludekens: Illustration for “Renegade Canyon” by Peter Dawson

Fred Ludekens
Illustration for “Renegade Canyon” by Peter Dawson
Saturday Evening Post, August 27, 1949
Gift of Robert and Magdalen Livesey

About the Blog Author

Magdalen Livesey
Magdalen Livesey Museum Trustee
Magdalen Livesey is president and managing editor of Cortina Learning International, Inc., publishers of distance-learning materials in foreign languages and English as a second language, and of the Famous Artists School courses in painting and commercial art, writing, and photography. She and her late husband Robert Livesey generously donated the Famous Artists School to the Norman Rockwell Museum.

Photograph of Magdalen and Robert Livesey observing a work by John Atherton, Famous Artists School Collection.