WHY: In “You Say You Want a Revolution,” Heller expands on “Woodstock to the Moon: 1969 Illustration,” the Museum’s exhibition of the defining images of a year which both shaped and reflected a period of profound cultural transformation. The series, “Love, Art, and Identity,” inspired by the Norman Rockwell Museum’s three 50th Anniversary exhibitions, examines the ways in which art, human relationships, and culture are fundamental to growth, resilience, and creating meaning.

WHEN: Tuesday, July 23, 2019
4:30 p.m. Lemonade on the Terrace;
5:00 p.m. Talk/Performance in the Main Gallery
Tickets: $25, member $15. nrm.org/event/art-love-and-identity-you-say-you-want-a-revolution-1960s-art-design-and-culture-with-steven-heller/

WHERE: Norman Rockwell Museum, Stockbridge, MA

About Steven Heller
Steven Heller wears many hats; for 33 years he was an art director at the New York Times, originally on the OpEd Page and for almost 30 of those years with the New York Times Book Review. Currently, he is co-chair of the MFA Designer as Author Department, Special Consultant to the President of SVA for New Programs, and writes the Visuals column for the New York Times Book Review.

He is the co-founder and co-chair (with Lita Talarico) of the MFA Designer as Author program at the School of Visual Arts, New York, where he lectures on the history of graphic design. Prior to this, he lectured for 14 years on the history of illustration in the MFA Illustration as Visual Essay program at the School of Visual arts. He also was director for ten years of SVA’s Modernism & Eclecticism: A History of American Graphic Design symposiums.

With Seymour Chwast he has directed Push Pin Editions, a packager of visual books, and with his wife Louise Fili he has produced over twenty books and design products for Chronicle Books and other publishers.

For over two decades he has been contributing editor to PRINT, EYE, BASELINE, and I.D. magazines, and has contributed hundreds of articles, critical essays, and columns (including his interview column “Dialogue” in PRINT) to a score of other design and culture journals.

As editor of the AIGA JOURNAL OF GRAPHIC DESIGN he published scores of critical and journalistic writers on design, and currently as editor of AIGA VOICE: Online Journal of Design, he continues to help build a critical vocabulary for the field.

The author, co-author, and/or editor of over 100 books on design and popular culture, Heller has worked with a score of publishers, including Chronicle Books, Allworth Press, Harry N. Abrams, Phaidon Press, Taschen Press, Abbeville Press, Thames & Hudson, Rockport, Northlight, and more. He is currently completing “Iron Fists: Branding the Totalitarian State” for Phaidon Press, an analysis of how the major dictatorships used graphics to propagate their ideologies.

He has produced or been curator of a number of exhibitions, including “Art Against War,” “The Satiric Image: Painters as Cartoonists and Caricaturists,” “The Malik Verlag,” and “The Art of Simplicissumus: Germany’s Most Influential Satire Magazine,” among them. He has organized various conferences, including The School of Visual Arts’ “How We Learn What We Learn,” devoted to the future of design education, and the AIGA’s “Looking Closer: Graphic Design History and Criticism.”

Heller is also the recipient of the AIGA Medal for Lifetime Achievement in 1999, the Art Directors Club Hall of Fame Special Educators Award in 1996, The Pratt Institute Herschel Levitt Award in 2000, and the Society of Illustrators Richard Gangel Award for Art Direction in 2006.