Photo of Susan LeRoy Merrill. Courtesy: Daisy Rockwell.
Susan LeRoy Merrill
June 4, 1942 – October 24, 2017
I share with you the passing of Susan LeRoy Merrill, artist, author, vibrant spirit, and mother of trustee Daisy Rockwell. Susan is also survived and cherished by beloved husband Carl Sprague, son Ruslan and daughter Elena, son-in-law, Aaron, granddaughter Serafina, and Rockwell family members. Susan taught us so very much about living, with joy and panache, about dying with dignity and gratitude for a life fully lived, and about letting go with grace. She created her last days this summer as she wished to live, painting, surrounded by friends, family and her beloved Corgis. Her art brought much joy and taught us to look at the natural world around us, the world of animals, and even bugs! Her children’s book, I Live in Stockbridge, still available through the Museum, is a personal walk through a town she loved and where she raised her family. There are many chapters to share about Susan’s life, but none is more beautiful than the eulogy her daughter Daisy wrote below. Our hearts go out to Daisy, Carl, all of Susan’s family and many friends.
~ Laurie Norton Moffatt, Director/CEO, Norman Rockwell Museum
Susan Merrill, “The Swing.” 38.5″ x 27.5″. Acrylic on canvas. ©Susan Merrill.
“When my mother called me in early June and told me she’d been diagnosed with a glioblastoma and only had three months to live, she immediately launched into a description of her plans for her remaining days: most notably, she must complete a series of 12 small paintings of bugs beneficial to gardeners before she died. The tumor had started in the communication section of her brain, but did not affect her ability to paint until the end, and she was able to complete her paintings in record time. As her usual exceptional communication abilities began to deteriorate over the summer, she taught us many precious lessons about embracing life and accepting death. It was a summer of charades, drawings, diagrams and laughter over the amazing-sounding unrecognizable words and sounds that came out of her mouth. Only at the end, when she could no longer write or draw, and nearly all her words were unrecognizable, did she show signs of frustration and sadness. The end came mercifully swiftly, and she died last night in her favorite room of her favorite house, surrounded by beloved humans and corgis in a shower of Bach by a roaring fire. We will all carry with us her color, her humor, her word play and her way of re-inventing the world through the power of creative imagination.
Some of her paintings and prints of her bug series are available at her Etsy shop: www.etsy.com/shop/SusanMerrillPainting. Funds raised will help defray medical and other costs accumulated by her household during this difficult period.” ~ Daisy Rockwell
‘Smithsonian Magazine’ Reviews ‘Mad Magazine’
STOCKBRIDGE, MA – September 17 – In March 1976, a great American portrait debuted to an adoring public. It was a bicentennial appreciation of George Washington … of a sort. Inspired by The Athenaeum Portrait, Gilbert Stuart’s 1796 painting featured on the one-dollar bill, this rendering of the first president featured one distinction. The original showed Washington with swollen, tightly closed lips due to a new set of ill- fitting dentures, while the 1976 version had a gap-toothed smirk instantly recognizable to America’s middle school reprobates. Equally recognizable was the blank stare that those same kids knew evoked the iconic question: “What, Me Worry?”
‘The Boston Globe’ Reviews ‘What, Me Worry?’
STOCKBRIDGE, MA — September 5, 2024– Norman Rockwell has a cherished place in the American imagination. So does MAD magazine. That Rockwell and MAD are as different as a Windsor chair and a whoopee cushion makes their unexpected interaction all the more fun. That interaction takes the form of “What, Me Worry? The Art and Humor of MAD Magazine,” which runs at the Norman Rockwell Museum through Oct. 27. Five ebulliently overstuffed galleries offer MAD layouts, drawings, toys, videos, back issues, board games, copies of foreign editions. It’s a horn of plenty of laughs. “What Me, Worry” is the (very) rare museum show in which visitors’ laughter is audible.
What, Me Worry? The Art and Humor of MAD Magazine
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Unity Project – VOTE 2024
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Norman Rockwell Museum presents history-making women in U.S. premiere of Anita Kunz’s Original Sisters
Exhibition of groundbreaking portrait series opens November 9, 2024
Stockbridge, MA—August 28, 2024—Norman Rockwell Museum is excited to announce Anita Kunz: Original Sisters, Portraits of Tenacity and Courage, a forthcoming exhibition of artworks by internationally acclaimed Canadian illustrator Anita Kunz. On view from November 9, 2024, through May 26, 2025, Anita Kunz: Original Sisters presents selections from the artist’s groundbreaking series of portraits of diverse and extraordinary women from ancient times to today, many unknown or underrecognized. This exhibition uncovers, amplifies, and celebrates the achievements of changemaking women worldwide, while also weaving together a “lost history” of women’s distinctive contributions within every possible field of endeavor.
Norman Rockwell Museum launches the Unity Project 2024 to inspire voting through illustration art
Stockbridge, MA—August 22, 2024—Norman Rockwell Museum is proud to announce the launch of the Unity Project 2024, a get-out-the-vote campaign that harnesses the power of illustration art to inspire and motivate voting in the upcoming presidential election. Published primarily through social media, the campaign features striking images and voting messages from six top contemporary illustrators who reach a wide range of audiences: Monica Ahanonu, Lisk Feng, Timothy Goodman, Edel Rodriguez, Gary Taxali, and Shar Tui'asoa/Punky Aloha.