DIGITAL TOUR: Jerry Pinkney: Imaginings
Aesop’s Fables (2015) &
The Lion and the Mouse (2009)
Circle of Life
Tsidii Le Loka, The Lion King Ensemble, Lebo M & Faca Kulu
Album: The Lion King (Original Broadway Cast Recording)
Written By: Elton John and Tim Rice
Personification is central to Jerry Pinkney’s work, which frequently features believably humanistic animals. “For me, there is a balance between the natural beauty of a creature and my need to personify the animal to fit the story. I try to stay true to what the animal looks like in real life, while adding details, such as dressing up the character in human clothing—putting a chicken in a scarf, a hat, or a neckerchief—to show personality,” said the artist, who frequently poses as the animals he portrays. “And at times, depending on the story, other parts of an image can hint at emotion, too. Trees and flowers, the sun and moon, and even the wind can help to expand the storyline.”
Like his Caldecott-winning book, The Lion and the Mouse, The Tortoise and the Hare, is inspired by the words and lessons of Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 560 BCE. The artist’s version of the tale is set in the American Southwest, where two competitors are cheered on by a lively array of animal spectators. His imagery reveals both the tortoise’s diligence and the hare’s overconfidence, but ultimately the tortoise is victorious, proving that “slow and steady wins the race.”
Jerry Pinkney’s rich interpretation of a timeless fable that cautions against idleness reminds us not only to work hard, but to find joy in sharing the fruits of our labors with others. In this intricately composed illustration, the grasshopper-showman attempts to lure an army of industrious ants to join him in a picnic of “fresh, yummy leaves,” and in “making music.” “One of my biggest challenges of retelling this story visually is the fact that grasshoppers and ants are quite different in size,” Pinkney said. In rendering their facial expressions, “I realized I could not be rigid in my representation of these creatures’ relative proportions.” As he worked on this book, a family of ants invited themselves into his studio, which is surrounded by woods, “marching across my drawing table and serving as the perfect inspiration and models.”